Everybody, including Rue, starts drinking as Elliot drives them around. Jules and Elliot steal liquor while Rue chills in the car. Elliot pretends to sneak off to the bathroom to take drugs, but he stays sober for Jules. Elliot keeps pushing Jules’ boundaries, even kissing Jules when Rue secretly snorts coke in the bathroom. Jules is highly sexual, while Rue’s drug addiction has tampered with her sex drive. That is why her inability to please Rue sexually causes so much stress. Jules has never dated a woman before and has never had sex with somebody she is dating. In a way, Elliot is safe for Jules because she knows what it is like to have “no feelings” sex with a man while her relationship with Rue is new.
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However, he says that Jules could be “bad at eating pussy.” Elliot teaches Jules how to please a woman orally using her hand. At first, it seems like he is protecting Rue because he says she is too lazy to fake an orgasm. Jules confides to Elliot about Rue’s faked orgasm.
Rue believes she is fooling Jules but gaslighting her girlfriend into an eventual breakup.Įpisode Four clarifies that Elliot has been after Jules this whole time.
The drug addict fakes an orgasm lazily, making Jules think she is not attracted to her. Rue blankly repeats, “It is amazing.” Jules desperately wants to please Rue but is not buying her half-assed commentary. She has taken so many benzothiazines that she can’t feel anything. The gay cowboy reenactment shows Jules and Rue fighting before finally having sex showing that they are still learning about same-sex sexual relationships.Įven though their love for one another is so deep, Rue can’t orgasm while Jules tries to please her orally. Jules is still discovering her gender presentation and where she fits in the Kinsey Scale. There is a Brokeback Mountain reenactment where both teenage girls are dressed like male cowboys representing their queerness. The Frida Kahlo reenactment expresses how Jules feels uneasy about her relationship with Rue because she worries that her girlfriend has a crush on Elliot. Frida painted “Self-Portrait as Tehuana” when she and Diego were divorced to represent her desire to possess him even though he was having affairs. For example, in Sandro Botticelli’s painting “The Birth of Venus,” reenactment Jules stands in for Venus, revealing how she represents pure love to Rue.Īnother painting reenactment is Frida Kahlo’s “Self-Portrait as Tehuana.” Jules acts as Frida in the reenactment, and Rue is painted on her forehead like Diego was in the original.
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A sequence of lush reenactments of famous paintings and movie scenes invokes the complexity and depth of Rue and Jules’ love. “You Who Cannot See, Think of Those Who Can” starts with Jules eating Rue out. Rue and Jules’ love is epic, but even that can’t keep the drug addict on the straight and narrow. Cal apologizes to Nate for messing him up before leaving his family.
Unfortunately, Cal destroys his family unit by revealing everybody’s secrets, including his own.
Cal’s walls come down as he embraces his queerness and lets go of his double life. Cassie desperately wants Nate Jacobs’ (Jacob Elordi) love even though he is abusive and more invested in Maddy.ĭrunk out of his mind Cal Jacobs ( Eric Dane) drives over to the gay bar where he and his best friend Derek ( Henry Eikenberry) went after graduating from high school. Even though being with Jules Vaughn ( Hunter Schafer) is a dream come true, Rue’s drug addiction destroys their relationship.Ĭassie Howard ( Sydney Sweeney) has a mental breakdown fueled by jealousy and alcohol during Maddy Perez’s ( Alexa Demi) birthday party. Rue Bennett ( Zendaya) loses control over her life and steps closer to her seemingly inevitable death because of drug use. In Euphoria Season Two Episode Four, ” You Who Cannot See, Think of Those Who Can,” directed and written by creator Sam Levinson, Elliot ( Dominic Fike) and Cal Jacobs ( Eric Dane) drop some truths that blow up their worlds.
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